All about horses – Hortense de Kooter
Hortense de Kooter – beeldhouwster in hart en nieren
Geïnspireerd door de indrukwekkende paarden gemaakt met A1 hebben wij Hortense de Kooter opgezocht in de Baztille waar zij haar eigen atelier en workshopruimte heeft.
Nieuw ritme
Tijdens de covid periode heeft Hortense een nieuw ritme moeten vinden en alleen moeten werken. Helaas kon zij haar geliefde workshops niet meer geven, maar dit gaf haar wel veel tijd voor zichzelf en tijd om nieuwe materialen uit te proberen.
Via een andere kunstenaar, namelijk Stan Hill, is zij in aanraking gekomen met A1 (Acrylic One) en dit bleek één van de nieuwe materialen waar Hortense mee wilde gaan werken. Haar voorbeelden waren levensgrote (beroemde) paarden van brons. Ze wilde deze ook maken, maar dan op haar eigen manier.
Bergen snijdsels van PIR-platen, EPS en andere verpakkingsmaterialen heeft ze geproduceerd voordat de dieren tevoorschijn kwamen. Vervolgens zijn de paarden verstevigd met A1 en Triaxiaal weefsel waardoor ze minder kwetsbaar werden. Zoals is te zien zijn de paarden (en ook honden) niet glad afgewerkt, omdat het voor Hortense gaat om de stand en de houding tussen moeder en veulen.
Volgend project
De wens van Hortense om deze dieren op ware grootte te maken is uitgekomen en de volgende uitdaging is bijna in ontwikkeling, namelijk het maken van een levensgroot paard…, maar dan in beweging!
Hortense de Kooter
Hortense is geboren in Frankrijk en opgegroeid in Bleiswijk op stoeterij De Kraal. Na een opleiding op de vrije school en de Kunstacademie van Rotterdam heeft zij zich als beeldhouwster gespecialiseerd in het maken van paarden beelden in allerlei soorten steen of in brons. Haar liefde voor het vak en de liefde voor de paarden straalt van haar beelden af, alles is zo gedetailleerd. In haar werk zijn sporen van gereedschap en hoe het gemaakt is te zien, zoals sporen van beitels in de steen of onbewerkte steen naast gepolijste delen. Tevens geeft Hortense les in beeldhouwen en exposeert ze op meerdere open atelierdagen en verschillende galeries, zo ook in de Baztille waar zij haar eigen atelier en workshopruimte heeft.
Meer informatie vind je op haar website:
www.hortensedekooter.nl
1. CONCEPT
The competition, design and study phase of this project ran from summer 2018 to summer 2021, the work itself was realized from October 2021 until installation at the beginning of April 2022.
The statue shows a hand with three Conference pears. The hand symbolizes strength, balance and openness, while the graceful pears refer to the delicious fruit that is so characteristic of the ‘Haspengouwse’ landscape. It is a tribute to the hard physical labor on the land. Having participated in the pear picking myself for years, I have great respect for the labour, patience and trust required of the farmer.
2. STRUCTURE
The statue has an internal steel structure consisting of 14 square tubes welded together. All forces transfer to one central tube that is anchored to a concrete foundation sole by means of a foot plate. The weight of the total work is approximately 2 tons. The total height from ground level to the top is +/- 5.5 mtr.
Because the work could not be made on site, a steel auxiliary construction had to be provided for sufficient strength during transport and assembly. The construction was provided with removable lifting eyes, mounted on the position of the stems. After transport and assembly, the construction was removed and the stems could be attached and finished at the location of the lifting eyes.
3. EPS MODEL
The EPS model is based on a 3D scan of a real hand with pears. The digital model was machined to a 22:1 scale from large EPS blocks with a density of 25kg/m3. The model was divided into several separate modules that could be placed around the steel structure using numbering and a laying plan. An offset of approximately 1cm was provided in the EPS blocks around the steel structure, which was mainly necessary to compensate for the difference between the digital computer model and the hand-welded steel skeleton. The modules were glued together with a light-foaming PU glue. The seams were then repaired with a light shrink-resistant renovation paste.
4. LAMINATE WITH A1
After assembly of the EPS modules, the work was laminated with three layers of A1 reinforced with a triaxial fabric 150gr/m2. Sufficient drying time was chosen between application of the layers so that irregularities could be sanded smoothly. The layers of triaxial fabric were staggered from each other. A small amount of thickener (Thix) in each layer of A1, resulted in a slightly less runny composition which made it easier to use. As the fourth layer, the triaxial fabric was replaced with fine dried quartz sand with M32 grain, weighing identical to the weight of A1 Liquid.
5. FINISHING, TRANSPORT & INSTALLATION
The pears were painted with a moisture-resistant and vapour-permeable matte paint, applied by roller. A sponge technique was used to obtain the colour nuances that are so typical for the Conference pear.
After painting the pears, the hand was finished with a final layer of A1 to which, in addition to quartz sand, a small amount of black pigment was also added to obtain a concrete look.
A two-layer sealer, diluted with water, served as a finishing touch. To add a little more shine, a satin sealer was chosen for the pears. For the hand, a matte sealer was chosen. With the first coat of sealer and adding black pigment to the mix the hand received depth and perspective. The stems, printed in a bioplastic based on maize starch, were also provided with a three-layer triaxial fabric (150gr/m2), painted in two layers and finished with a double satin sealer. A paintable moisture-resistant kit between pears and stems ultimately ensured an almost seamless transition.
Architect: Frederic Van De Velde
VIDEO
https://www.youtube.com/watch?v=88gXhopGoYY&t=159s
